Archive for Writing Tip of the Week

Research a Story – it’s fun

One of the things I love about writing is all the interesting things I discover on the way to writing the story. Becuase I write historical fiction, there’s quite a lot research involved. I spend a whole month looking up bits and pieces before I even start to write – and the research doesn’t end until the story is done. The strange thing is most of the things I discover don’t end up in a book at all. But it still helps me write.

Research gives me story ideas. When I was writing Polar Boy, my initial idea was a story about a boy who was scared of bears. I was thinking polar bears, because they are magnificent creatures, they scare the life out of me, and I wouldn’t go anywhere near one!  As I dug deeper into my research I discovered the Vikings were coming from Greenland, at the same time as my story, heading for the same place I was. And they were called ‘the berserkers’ or ‘bears’. So immediately my plot extended and it wasn’t a Polar Bear that became Iluak’s biggest challenge. It was the threat of the Vikings who didn’t want to share the land with the Inuit people.

Research is full of snippets of day-to-day information. What should my characters wear? What do they eat? Do the doors have doorhandles? I am constantly surprises how much the details of life change from place to place and through the centures.

Another thing I get from research is a strong sense of time and place. I am an armchair writer. I never travel anywhere, although I would love to visit Japan. So when I am writing the Samurai Kids series I have to imagine I am there. I do this by watching documentaries, looking at images, reading books written by Japaese samurai hundreds of years ago and listening to shakuhachi flute music.

Sometimes I can’t find all the answers I need. I wanted my samurai kids to study origami. I knew the samurai believed it was important to exercise the mind as well as the body and in addition to fighting skills they also learned other things – like  flower arranging and poetry! And I knew origami was paractised in Japan at the time of my novel. But I couldn’t find any proof – not a sentence, not a picture. So I decided most kids love origami so the samurai kids would too and included it in my book.

Photo Copyright: Pedro Henriques

When I was researching the next Samurai Kids book, Elephant Feet (#7). I needed to know all about Cambodia. I didn’t know anything. One thing I quickly learned is it has the most amazing array of birds and animals. Many of the birds and their calls made their way into my story background like the hoopoe bird (It’s call is oop-oop-oop! You can listen to a sound file here ). But I was always gettting sidetracked by other interesting information even though I knew I wouldn’t use it. Here’s an example. I found that a new species of gecko had been discovered in the southern mountains of Cambodia. It’s wonderful to think new species are still being found but there is a sad side to this lizard discovery too. Cambodia has one of the highest deforestation rates in the world and many of it animal habitats are in danger of disappearing.

PS When I went to find a picture of the gecko on the Internet I found another new species had been discovered even more recently - a blind legless lizard that looks like a snake!

Check out my other posts here:

Making a Noise – in the library!

Hello from Sandy

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Interview with Lara Morgan

Today we’re joined by Lara Morgan, author of The Rosie Black Chronicles, which includes Genesis and the latest book, Equinox.  We caught up with Lara to ask her about Rosie Black, future technology and the best things about being a writer.

  • What five words would you use to describe The Rosie Black Chronicles?

Dystopian thriller with romantic elements

  • What idea/s did the Rosie Black Chronicles grow from?

Essentially from my interest in climate change and how it will affect us in the future, and what I see as a growth in the power and influence of massive corporations within our political and social structure. I wanted to explore what kind of future could arise if we didn’t regulate the way we are going now and the world of Rosie Black is the result of that. I’m also interested in space travel and the possibility of outer planet colonisation so I threw that in the mix as well.

  •  Who is the character of Rosie Black based on?

No one in particular. Rosie has elements of my teenage self in her, but she is also a creation of the world she’s come from – the future Earth. I’m very much interested in the psychology of people, how they become who they are so the type of person Rosie is comes from the experiences she’s had as she’s grown ie losing her mother, being poor in a broken world, as well as just her innate self. I believe in strong rounded characters so I tried to create that in Rosie.

  • If you could have one piece of technology from Rosie’s world, what would it be?

Space ships – her Aunt Essie’s little ship would be a very cool thing to have. I’ve always been fascinated by the idea of travelling through space.

  • Who is your favourite author/childrens author?

That is a very hard one to answer, but one of my favourites is Ursula Le Guin, especially her Earthsea stories.

  • Why did you want to be a writer?

It’s what gives me the most satisfaction. I’ve always been a daydreamer and writing is just a way of getting those dreams out of my head and onto the page. I just love making up stories and never feel as at peace as when I can get up from my desk at the end of the day and feel I’ve achieved something.

  • What’s the best thing and worst thing about being a writer?

Best is definitely being my own boss and being able to work from home in my pyjamas. The worst is the need to promote yourself. These days being writer means having to be good at self promotion as well as promoting your work, building a known name, and that means talking yourself up at events and gatherings and that doesn’t come naturally to me, or I think most writers.

  • What advice would you give to aspiring writers?

Make sure you finish what you start. I’ve spoken to many aspiring writers who focus too much on fine tuning a first chapter, or first few chapters, before they’ve finished writing the story all the way through to the end and that is a fine way to ensure you never finish anything. And you can’t get unfinished work published. It is hard and the temptation is to think that if you just get the first bit right then the rest will be easier, you’ll have a better idea, but really that only works for a minute amount of people. Usually the best way to get the story right is to write it all the way through to the end, not worrying too much about how some things might not quite make sense, or some metaphors are terrible, or your dialogue sucks, but going forward anyway until you finish it. Then you go back and start to refine it. You have to allow yourself the room to make mistakes in the first draft safe in the knowledge that only you will see it. And I mean no one else, really, don’t show it to anyone, not even your mum. That’s what works for me anyway – and for many, many other writers. And read everything. Writers read, it’s essential.

Check out Lara’s Facebook page to find out more about the Rosie Black Blog Tour http://www.facebook.com/therosieblackchronicles

Join Lara tomorrow on the Booksellers New Zealand blog.

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Grammar is a Buzz

When writing fiction it’s often better to ‘show’ the reader what is happening, than ‘tell’ the reader everything. For example, you can tell the reader, ‘Ziggy was sweaty’, but I’d rather show the reader with ‘Sweat trickled down Ziggy’s neck.’ Adding sensory detail helps to show what is happening – it helps the reader to picture what a character is experiencing.
One way to make sure you’re not ‘telling’ too much is to use verbs (eg. trickled) rather than adjectives (eg. sweaty). For example I might write, ‘Florian was angry’ (adjective) but ‘Florian smashed (verb) his fist into the wall’ is stronger.  And  Sting is a better title than ‘Sharp thing’. If you have to use adjectives then one adjective per noun is enough; and you don’t need many adverbs either (eg. not needed in: Florian angrily smashed his fist’)

This is my last post. Thank you Zac and the Christchurch libraries, it’s been fun.

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Forces of Writing

There are four forces involved in writing fiction: imagining, writing, editing, and hoping.
1. Imagination is the basis of all writing. This force is centred in your brain which is incredibly powerful at wielding it. The force of imagination has infinite range and you’ll find there’s no shortage of story ideas in the world. Science is a wonderfully bizarre source (I even used it to frame this blog). Photo: story characters are everywhere.

2. Writing is work. It seems to be such a weak force: putting one word after another; sentence by sentence. But if you keep going, the force evolves the words into something remarkable– story.
3. Editing is the refining force in fiction. It’s a strong force that can be applied by cutting needless words and shaking the story up.
4. Hope is vital for a writer. When you feel your story is worthless and you think you can’t write, hope keeps you going. Like gravity, it keeps writers grounded, and like imagination, it has infinite range.

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Get Writing!

Oh dear. My month as Star Author is rapidly drawing to a close. I have really enjoyed spending time, if only virtually, in Christchurch.

As this is one of my last posts, I thought I might stop talking about myself and offer something to you.  If you are reading this, chances are you love reading and/or writing. So I thought you might enjoy some quick writing activities that you can do  to get yourself writing. Grab a pen and paper, and sit yourself down, then choose one of these exercise and just write.

  1. Write a sentence where every word starts with the next letter of the alphabet – a, b, c and so on. (for example A brown cat dropped everything…). Don’t worry if it is silly or even ungrammatical. Just see what comes out.
  2. Write for as long as you can without using the letter ‘e’. Again, don’t worry if it’s a little ungrammatical or silly.
  3. Same as 2, but this time see how long you can write without using the word ‘and’.
  4. Find five random words by opening a book or dictionary and picking the first word you see on five different pages. Or get someone else to give you five random words. Then write a sentence, paragraph or even a story which includes all five words.
  5. Open the book you’re currently reading (you are reading one, aren’t you) at any page, and copy out the first sentence of the second paragraph. Now, close the book and start writing, using that sentence as the first sentence of a completely new piece of writing.

Chances are, none of these exercises will produce an absolute masterpiece. But they will challenge you, might make you laugh, and will help get your creative juices flowing.

Have fun. If you’re brave enough, post one of your efforts here as a comment for the world to see.

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Getting Published

Yesterday I drove up to Mundaring, a little community just outside of Perth, where my friend, artist Frane Lessac, and I spoke to a group of people about how to get published. It was a really fun session, with Frane and me each sharing our journey to publication and then talking about the dos and don’ts of getting published.

When I sat down to blog today I thought it might interest YOU to know just how a book gets published. So, here goes.

First, long before a book is something  I can hold in my hands or tell the whole world about or even read, it is just an idea. My ideas come from all over the place – from things I see, things that have happened to me, things I read about, or silly ideas which just come to me.

When I get an idea and decide to write about it, the next thing I do is plan my story. Usually the plan happens in my head – I spend a lot of time thinking about who my main character will be, and what will happen to him/her, and I work out what the main conflict or problem will be, and how it will be resolved at the end.

Once I have a pretty fair idea of what is going to happen in my new story, I write the first draft. This might take only minutes, if it is a picture book or short piece, or days and months if it is longer, but I do try to get the whole  first draft written as quickly as possible before I get distracted by the next big idea.

Once that first draft is written, I put it away. I don’t reread it it, or share it with anyone for as long as I can stand. This creates distance between me and the story, and means that  when I get it back out a month or more later, I am able to see what needs to be fixed – as well as what works, of course. Then I rewrite and edit and rewrite and edit and tinker until the story is as perfect as I can make it. Sometimes this takes many many months, or even years until I am happy with a story.

But, eventually  my story is ready to submit and I send it off to a publisher. Sometimes, the story comes back to me with a letter saying it won’t be published (there are lots of reasons for this) but other times, thankfully, I get a phonecall or email from the publisher to say they will publish my book.

That’s when the hard works starts, because no matter how good I thought the story was when I submitted it, now I have to work with an editor to make it even better.  And sometimes this can take a lot of phonecalls, emails and, of course, writing sessions. – which can take months.

When the text is finalised, the  publisher chooses an illustrator, who then works on the illustration in consultation with the editor. I don’t tell the illustrator what to draw or how to draw it, though I do get shown initial sketches and have the opportunity to provide feedback.

When the illustrations are finished (which can again take months and months or oven years) , the publisher puts words and pictures together and the book is finally ready to be printed.

Then, at least a year after I had that first idea – but usually two or more years – the postman brings me a parcel, with copies of the new book for me to enjoy, and copies of the book are then available in bookstores and libraries for people to read.

It’s a long process –  Head Hog took six years to finally be published – but when I hold a new book in my hands for the first time I always feel  really proud.

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New Zealand’s ‘devils of the night’ – the giant weta

cristy burne and headsHi! I’m Cristy Burne, author of the Takeshita Demons books and Star Author for July.

July is nearly over, so don’t forget to enter our Make a Monster competition and win a copy of Takeshita Demons! We’ve had some awesome entries so far!

As some of you already know, I love writing about monsters and crazy, spooky things.

Well, some of the craziest, spookiest things are not imagined in books or stories. They’re real!

A great example — and a spooky creature I  love — is New Zealand’s giant weta.

What a weta!

Giant weta have been around for about 190 million years, and they look like it too. The giant weta on Little Barrier Island, off the coast of New Zealand, are known as ‘devils of the night’.

Their Maori name, ‘Wetapunga’, translates to ‘god of ugly things’.

Here are some cool facts about weta:

- Giant weta are orthopteran insects of the family Anostostomatidae. They look like wingless, leggy grasshoppers, and their bodies alone can reach around 8cm in length.

- They can weigh more than 70 grams, or about three times the weight of a house mouse.

- Many giant weta are not really so giant, and smaller species such as the Nelson Alpine Weta tip the scales at a not-very-scary average of 7 grams.

- Wetas are more likely to dine on treetop leaves than small children. They’re too heavy to jump, have no wings, and are slow to get around, making vegetarian cuisine the more affordable menu option.

- In a fight, wetas are sadly ill equipped, with only their spiky back legs and devastating bad looks for defence. Some will even roll over and play dead in an attempt to trick would-be predators.

- New Zealand’s new predators — the rats, cats, stoats and hedgehogs — often find that giant wetas make a decent-sized snack. This means giant weta populations are dwindling, and where Wetapunga were once common in the north of the North Island, they are now found only on Little Barrier Island, off the coast of Auckland.

- One weta species, the Mahoenui, returned from mainland extinction when it was discovered in 1962 hiding out in some gorse bushes in the North Island; the spikes of the introduced gorse had kept hungry hunters at bay. This weta weed patch has since been declared a protected area, and more than 200 endangered weta have been relocated to Mahurangi Island, in the hope of baby wetas on the way.



Aren’t weta awesome?

I find when I am having trouble thinking of something to write about, I can find inspiration in real life and amazing science. There are always strange things happening in the real world.

Where do you get your writing inspiration?

Anyone ever written a story about a giant weta?

If you want extra weta inspiration, you can get more weta-riffic facts from NZ’s Department of Conservation.

Happy writing and reading!

Cristy


Cristy Burne
Author of the Takeshita Demons series

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5 Japanese demons you may know from books and movies – Cristy Burne

cristy burne and headsHi!  Cristy Burne here, author of the Takeshita Demons books and Star Author for July.

I hope you like scary stories, because that’s exactly what I like to write. And believe it or not, the Takeshita Demons books are based on truth.

That’s right! All the Japanese monsters I write about are real…I didn’t make them up! In fact, I was only inspired to write Takeshita Demons after I started studying the history and mythology of Japanese monsters (or yokai in Japanese).

The Filth Licker and more…

Monsters in Takeshita Demons (like the Filth Licker (aka-name), the Snow Woman (yuki-onna) and the  Cut-throat Demon (nuke-kubi)) have been part of Japanese mythology and stories for hundreds of years.  They’re much the same as vampires, werewolves and fairies in Western culture.

Many of Japan’s demons are very unusual, but here are some you may recognise…How many do you know?
Don’t forget to enter our Make-a-monster Competition: invent a demon and win a prize!

5 Japanese demons you may know from books and movies

Hanako of the toilet1) Toire no Hanako-san

‘Toire no Hanako-san’ means Hanako-of-the-toilet. Hanako is the ghost of a young girl and she haunts particular toilet cubicles, usually at school. Remind you of anyone you might remember from a certain school for wizards?

In Japanese legend, Hanako is usually shy…

BUT…if someone is mean to her or teases her, then…watch out!

If you want to meet Hanako, you need to knock three times on the door of her haunted toilet and call out: “Are you there, Hanako?”.

Why don’t you give it a try next time you’re in the school toilets?

2) BentenThe goddess benten

Aha! I bet you thought Benten was a boy with a really cool wrist watch! You did, didn’t you?

Well, think again. Benten is actually a woman with eight arms and a whole bunch of dragons as friends. In Japanese mythology, Benten is one of the 7 lucky gods, and she’s around 1500 years older than the Benten you might know.

Still, the goddess Benten is a good person to befriend: she can help make you rich and give you good grades at school (she’s also the goddess of wisdom and prosperity).

yagyo-san3)  The headless horse

You’ve heard of the headless horseman, right? He’s a famous legend that grew from a character in a story published in America nearly 100 years ago.

But…have you heard of the headless horse?

The headless horse is the favourite method of transport for a Japanese ogre called Mr Yagyo, or Yagyo-san.

Yagyo-san has been around for hundreds of years, coming out only once a year to wreak havoc on the human population. On this one day — the day before Japan celebrates Setsubun, the beginning of spring — Yagyo-san roams the streets tossing spiked soybeans at people.

According to Japanese stories, the only way to escape is to lie face-down on the ground with a pair of sandals on your head.

ningyo_japanese_mermaid4) Mermaids

When I say ‘mermaids’, do you think of beautiful half-fish, half-woman creatures with long golden hair and perfect skin?

Well…that’s not the only kind of mermaid in the sea!

Japanese mermaids are called ningyo and although they are half-fish, half-woman, they’re not exactly what I would call beautiful.

I’m researching ningyo now as part of the next Takeshita Demons book… Apparently, eating the flesh of a Japanese mermaid can make you immortal, and even just seeing one can add three years to your life. Pretty cool, huh.

(Japanese mermaids also have some unfriendly friends, like the sazae-oni, a poisonous demon formed when a very old sea snail mutates into an ogre.)

tengu5) Tengu (or the tengu’s invisibility cloak, at least)

Tengu are a half-bird, half-humanoid Japanese demon that live in the mountains. You often see tengu masks in Japan and they feature in traditional Japanese stories and theatre.

But, you probably know the tengu’s cloak more than the tengu.

Tengu have many special powers and own many magical objects, not least of which is the invisibility cloak.  This is a cloak that makes you totally invisible when you wear it. Ring any bells?

There is another story of a tengu who owns a magical fan that can make your nose grow. In the story, the tengu accidentally fans himself… Maybe that’s why he looks how he looks!

So what’s my point?

My point is that you don’t always have to invent everything when you’re writing a fantasy or horror story.

Some of the craziest things you can imagine happen in real life (just read the newspaper sometime!). Some of the most unbelieveable things ever are actually true (700 million people around the world have blood-sucking hookworms in their guts). And some of the best writers and books use little bits of history and science and real-life-fact to inspire their incredible stories.

So, when you’re writing your own stories and books, take some time to research some real-life topics that might be relevant. The Christchurch library has a huge non-fiction section filled with heaps of fascinating facts and stories…. Check it out and you will be amazed!

How many of the demons did you know?
Any fascinating facts you’d like to share?
Drop us a comment!

And don’t forget to enter our Make-a-monster Competition: invent a demon and win a prize!

Happy writing and reading!

Cristy


Cristy Burne
Author of the Takeshita Demons series

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Like The Filth Licker on Facebook!

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Writing Tip of the Week – Jackie French

This week’s writing tip comes from Jackie French, author of Diary of a Wombat, Hitler’s Daughter, A Rose for the ANZAC Boys, and Oracle.

“I think the most important thing about writing is having confidence – because if you think you can write well you write in your own voice, not copying ideas and expressions and characters from other people.”

 

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Writing Tip of the Week – Brian Falkner

This week’s writing tip comes from Brian Falkner, author of Tomorrow Code, Henry and the Flea, Brainjack, and his new book The Project.

“Writing is like learning to walk. You fall down, you get back up and try again. Little by little you learn from your mistakes. You get better and better at it, and one day it just happens and it is a magical moment.”

If you want to find out more about Brian Falkner’s books and writing, you can visit his cool website or read his Star Author posts here on the blog.

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Writing Tip of the Week – David Hill

This week’s writing tips comes from New Zealand author David Hill, author of See Ya Simon, Fat, Four-Eyed and Useless, and Running Hot.

“a. Read heaps. The more you read, the more ideas you get.
b. Don’t throw any of your writing away.
c. Start sending work away to places like The School Journal.”

You can read our full interview with David Hill on the Interviews with New Zealand Authors page.

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Writing Tip of the Week – Erin Hunter

This week’s writing tip comes from Erin Hunter, creator of the Warriors and Seekers series.

“Make sure you read a variety of stories: fantasy stories teach you about making up completely new worlds, crime-solving stories teach you about handling a complicated plot, stories with lots of characters teach you how to describe relationships.  Also, write as many stories as you can, even if no one else reads them.”

If you want to find out more about Erin Hunter and her books, check out her website.  One thing I learnt from her website is that ‘Erin Hunter’ is actually four different authors writing under the same pen name.

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Writing Tip of the Week – Jeff Kinney

This week’s writing tip comes from Jeff Kinney, author of the Diary of a Wimpy Kid series.

“I would recommend to any kid out there to keep a journal. Most of my friends can’t remember much about their childhood at all, and they wish they could. Even if you only keep a journal for a short while, I guarantee that you’ll treasure it for the rest of your life.”

Check out Jeff Kinney’s very funny website if you’d like to find out more about the author and his books.  You can also watch video’s, play games, and go behind-the-scenes of the Diary of a Wimpy Kid movie.

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Writing Tip of the Week – Steve Cole

This week’s writing tip comes from Steve Cole, author of Astrosaurs, Cows in Action, Slime Squad and Z-Rex.

“Grow a very thick skin and ask for criticism.  Listening to criticism can help you to write better.  Also, write as much as possible – the more you do, the better you get.”

You can read our interview with Steve Cole here on the blog.  Also, check out Steve’s website for more information about his books, videos and cool free downloads.

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Writing Tip of the Week – Andy Griffiths

This week’s writing tip comes from the very funny Andy Griffiths, author of Just Tricking, Just Stupid, The Bad Book, The Big Fat Cow that goes Kapow, and many others.

“[Get a cheap exercise book] and start writing in it every day… five minutes a day to start with, and gradually increase to at least thirty minutes a day. You get better at writing like you get better at everything else: constant practice.”

Check out Andy Griffiths website to find out more about the author and his books, and watch some cool videos.

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Writing Tip of the Week – Derek Landy

This week’s writing tip comes from Derek Landy, creator of Skulduggery Pleasant, Valkyrie Cain, and many other unpleasant characters.  We asked Derek if he could give one piece of advice to budding writers what would it be?

“You have to have fun. When I wrote the first Skulduggery book I didn’t have a clue whether or not it would be published or if anybody would like it, so I concentrated on having fun.  I packed it full of things that I adore; fight scenes, jokes, horror, adventure, magic. Fun is contagious and if you have fun writing it, the reader will have fun reading it. “

Visit Derek Landy’s website for more information about the author and his books, and to test your knowledge of the Skulduggery books.

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Writing Tip of the Week – Eoin Colfer

This week’s writing tip comes from Eoin Colfer, the creator of Artemis Fowl, Holly Short, Foaly and LEPrecon.

“Practise – write every day even if it’s only for ten minutes. Remember, nothing is wasted. Eventually your style will emerge. Persevere!”

Check out Eoin Colfer’s cool website where you can find out more about the characters, watch videos and play games.  Get your hands on a copy of Eoin Colfer’s latest book, Artemis Fowl and the Atlantis Complex, from your library now.

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Writing Tip of the Week – Joy Cowley

This week’s writing tip comes from one of New Zealand’s best-loved authors, Joy Cowley.  Joy has written some fantastic books over the years, including Bow Down Shadrach, Hunter, Greedy Cat, and Snake and Lizard.  In this writing tip, Joy talks about writing the end of a story.

“A story is a bit like a running race. It takes us a while to warm up but once we get going, we don’t always stop at the finishing tape, but run on. The right ending for any story is usually soon after the problem gets solved. If you don’t know where or how to end your story, stop and look back a few sentences. Chances are you’ll find the correct ending already written.”

Come and meet Joy Cowley at the Christchurch Town Hall this Sunday at the Storylines Free Family Day.  You could hear her read some of her books, talk about writing, and even get one of her books signed.

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Writing Tip of the Week – Margaret Mahy

Our writing tip this week is once again from Margaret Mahy, who will be at the Storylines Free Family Day next Sunday, 15 August at the Christchurch Town Hall.   Come along and listen to Margaret talk about her writing and read some of her books.

“I think writers ought to read a lot, and it is often good to be working on more one story. If your first story does not work out it is comforting to have another story to fall back on. Most writers have to work hard – to write and re-write their stories.”

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Writing Tip of the Week – Margaret Mahy

This week’s writing tip comes from one of New Zealand’s greatest writers, Margaret Mahy, who will be appearing at the Storylines Free Family Day in Christchurch on Sunday 15 August.  Margaret Mahy has written so many books that it’s impossible to name them all.  She writes picture books, like Down the Back of the Chair, as well as novels, like Kaitangata Twitch, Maddigan’s Fantasia, Memory, and Portable Ghosts.   We’ll be posting some other great writing tips from Margaret Mahy over the next couple of weeks in the lead-up to Storylines.  This week, she talks about the story ideas that come to her.

“My ideas mostly come from things that happen to me, but of course they are changed a great deal by the time the story is finished. The ideas begin with real things but I invent all sorts of things to add to them, or I change them in some way before the story is finished.”

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