Archive for Kids

The Best and Worst Children’s Books of 2014

Cover of the song of the kauriThe end of the year is approaching and that means it’s time to evaluate the best and worst of 2014’s crop of children’s books. Hosted by Christchurch City Libraries, in conjunction with the Canterbury Literacy Association, the Best and Worst Evening is a Christchurch literary tradition. 2013’s event was so popular the event has been moved to the larger venue of Upper Riccarton Library.

Speakers include Bob Docherty (children’s book guru and renowned promoter of reading and literacy for kids), Kirsten Smith (Kaitakawaenga – Ngā Ratonga Māori at Christchurch City Libraries) and a kids-eye-view from Briana.

Our annual Holiday Reading list will also be officially announced on the night. Holiday Reading is a recommended selection of new titles added to Christchurch City Libraries in 2014 and includes picture books, chapter books, young adult and non-fiction titles.

Come along this Wednesday night (19 November) to Upper Riccarton Library, 7pm. Bring a gold coin for refreshments and early Christmas raffles.

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Star Author: Barbara Else – Where do the ideas for stories come from?

Answer: ideas come from everywhere and anywhere. The first idea for The Volume of Possible Endings came from a fairy tale. It isn’t one of the best known ones, but I’d been interested by it since I was about ten or eleven. It’s a story of a girl who has either six, seven or twenty-one brothers depending on which version of the story it is. A wicked witch changes all the brothers into swans and the spell can only be broken if the girl sews shirts for them all. I remember thinking what a lot of work that would have been – especially if it was twenty-one brothers. She didn’t have a sewing machine, either. It all had to be done with a needle and thread. Yikes. What really grabbed my interest was how much she must have loved her brothers.

But of course, it would have been hard work for me as well to manage twenty-one brothers in a story. I decided that three brothers would be plenty for my story, thanks. And – this isn’t a spoiler – the brothers in this novel don’t get turned into swans. But there is magic involved, and magical wickedness.

Anyway, maybe there’s an idea here that you could use for writing one of your own stories. In fairy stories you never get a lot of information about how the characters feel. They just do things, or things just happen to them. So why not start thinking about why the characters in a fairy story come to do whatever it might be. How do they actually feel? Choose a fairy tale you especially like, say, Red Riding Hood. Why would a mother could send her precious child into a forest all by herself? Does Red Riding Hood really want to go into the forest? Or, think about how the wolf feels. For instance, how long is it since he had a good dinner? Or is he just a greedy-guts? Or a bully and a show-off? Could you tell the story from his point of view? That might be fun.

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Star Author: Barbara Else – Titles

Titles are important, aren’t they? A book need one that makes a reader intrigued as to what the story will be about. But if you’re writing a story, you don’t have to have the title right away. Sometimes the right title will just pop into your head at some stage while you’re working on the piece.

When I was writing the first Tale of Fontania, the title was pretty obvious as soon as I decided to have a sailing ship as a restaurant a sailing ship. ‘The Sailing Restaurant’ wouldn’t have sounded quite right, but The Travelling Restaurant sounded good to me. It’s at least a bit intriguing, to think of how a restaurant would travel about. (And apologies to American readers who spell travelling with only one l – traveling.)

With the second Tale, at first I thought the title would be ‘The Queen and the Elephant Boy.’ That idea soon got tossed aside when I realised it was going to be tricky having an actual elephant in the story. How could my characters have the wild adventures I wanted if they had to take an elephant along? So I made the elephant one that had died and been buried years ago. ‘The Queen and the …something … Boy’. Hmm. I had to choose a good opposite word to queen. Well the boy in the story had been ignored by everyone, treated like a nobody. So there it was: The Queen and the Nobody Boy. Opposite ideas in a title that can catch a reader’s interest.

I had no idea what I would call the third Tale. The novel opens with a boy as the main character in the first chapter. Then chapter two moves to a girl, Dorrity, who is the only child in Owl Town on the edge of the Beastly Dark. The citizens boast that their town is magic-free. But Dorrity discovers a book on her teacher’s table. When she opens it, the title page is blank at first. Then words appear on it – ‘The Volume of Possible Endings.’ Pages continue to turn on their own and stop at a list of five endings headed ‘Dorrity’s Tale.’ Magic most certainly exists in the town! She’s scared and offended at being lied to by grown-ups.

I was still wondering what to call the novel when I thought – ‘Du-uh! There’s a perfectly good title already there in the story – the title of the book in my book!’ Just as the title of the magical book revealed itself to Dorrity, the title revealed itself to me.

If you happen to be struggling to find the right title, have a look at what you’ve already written for your tale. Maybe it is lurking in a paragraph just waiting to be found.

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