Posts tagged NZ Book Month 2013

Fast Five with Melanie Drewery

  • Why did you want to be a writer?

Because I have always had a vivid imagination, and when I was small I was a real chatterbox with lots of ideas to share. Writing is sort of like talking a lot on paper.

  • What’s the best thing about being a writer?

I can put my ideas into a story and they will reach heaps and heaps of people I may never even meet! My words might make someone laugh or cry, they might even teach them something or change the way they look at the world. That’s pretty amazing.

  • What’s your favourite New Zealand book?

Under the Mountain.

  • What do you love most about New Zealand?

Oh I can’t just love one thing, I need at least two, so I’m going to cheat here. I love our beaches, and being able to swim or walk by the sea every day. I also love our own unique culture, and how much more Te Reo Maori and Maori expressions have become part of everyone’s culture.

  • What do you love most about libraries?

I love being able to read lots and lots and lots of books. Is it weird to say I also love the bookish smell of libraries, yum, all those words wiggling around in their books and making their own special smell.

Melanie Drewery is an author, illustrator and artist who writes primarily for children. Koro’s Medicine was a finalist in the Picture Book Category of the 2005 New Zealand Post Book Awards for Children & Young Adults, and the Maori translation of this title, by Kararaina Uatuku, won the 2005 Te Kura Pounamu Award. Melanie won the Picture Book section of the 2008 New Zealand Post Book Awards for Children and Young Adults for her book Tahi: One Lucky Kiwi.

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Fast Five with Sarah Johnson

  • Why did you want to be a writer?

Stories are one of my favourite things in the whole world (as are books), so it made sense to me that I would enjoy writing them, and I do. I have carried the stories I read as a child with me into adulthood, and as I got older I read stories that I considered so incredibly beautiful (or moving, or sometimes funny) they were like sunsets or landscapes or other natural wonders. That’s a pretty amazing impact to have, and I wanted to give it a try. Imagine being able to create something that had that effect on another person! I haven’t managed it yet, but I’m still trying.

  • What’s the best thing about being a writer?

Writing stories. Entering, and dwelling in, the fabulous zone they come from. Playing with the words (endlessly) until they make patterns and poems on the page.

  • What’s your favourite New Zealand book?

Oh, hard. For children, it’s probably Peter and the Pig by Simon Grant, because every single time I read it, I laugh. I wish I could write something that funny! For adults, anything by Patricia Grace, but then she writes wonderfully for children too.

  • What do you love most about New Zealand?

The colour and clarity of the light, the emptiness of the sky, the smell and the air of the bush. I lived in Scotland for a while and these were the things I missed. They were in my bones and they sung to me while I was away.

  • What do you love most about libraries?

How excited I feel every time I enter one. All that interest, all those stories, all that knowledge, sitting on a shelf waiting for me to find it. And knowing that I’m going to walk out the door with a book in my hand and a new possibility in my life. Libraries are portals. They should house them in a tardis.

Sarah Johnson is the author of Ella and Ob and the winner of the 2011 Joy Cowley Award, Wooden Arms.  Sarah has also written books and stories for grown-ups

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Guest Author: Melinda Szymanik on A Winter’s Day in 1939

Today we’re joined by the wonderful Melinda Szymanik, author of the powerful new book, A Winter’s Day in 1939.  Based on her father’s experiences during World War II, A Winter’s Day in 1939 is a story of family, the harsh realities of war, and the fight for survival against the odds. Melinda has written a really interesting post for us about why and how she wrote A Winter’s Day in 1939.

Why and How I wrote A Winter’s Day in 1939

When the Soviet soldiers come and order them out, Adam and his family have no idea where they are going or if they will ever come back.  The Germans have attacked Poland and the world is at war. Boarding a cattle train Adam and his family embark on a journey that will cover thousands of miles and several years, and change all their lives forever. And mine too. Because Adam’s story, the story told in my new novel A Winter’s Day in 1939, is very much my Dad’s story.

I often heard fragments of this story from my dad when I was growing up.  It was shocking, and sad, and amazing.  My Dad’s family was forced out of their home and taken to a labour camp in Russia. It was freezing cold, and many people died from disease or starvation. Even when the Soviets finally let them go, they spent weeks travelling around the USSR , were made to work on Soviet farms and were still hungry and often sick, with no idea of where they might end up next.  As a child growing up in a peaceful place like New Zealand it was hard to imagine the real dangers and terrible conditions my father experienced.

I didn’t get to know the full story until I was grown up with children of my own and was regularly writing stories for children.  I wrote a short story, also called A Winter’s Day in 1939, based on a single event I knew fairly well  from my Dad‘s childhood – when Soviet Soldiers first come to order them off their farm, the only home my father had known up till that point in his life. The story was published in The Australian School Magazine.  I showed the short story to the publishers Scholastic who liked it too. They wondered if I could turn it in to a novel.  This was a chance to tell my father’s story. By now I knew it was an important story that should be shared

Luckily my Dad had made notes about his life during World War Two; about twenty pages all typed up.  However I know people’s real lives don’t always fit into the framework of a novel and I knew I would have to emphasize some things and maybe leave other things out.

I read and researched to add the right details to the story. And asked my parents lots of questions. How cold was it in Poland in January 1940? Who or what were the NKVD? What were the trains like? What are the symptoms of typhoid? How do you make your own skis? Some information was hard to find. Some of the places that existed in the 1940s aren’t there anymore. And people didn’t keep records about how many people were taken to the USSR from Poland or what happened to particular individuals. But what I wanted to give readers most of all was a sense of how it felt to live that life.  So this then is the story of a twelve year old Polish boy in the USSR during World War 2 that all started on A Winter’s Day in 1939.

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Fast Five with Kath Beattie

  • Why did you want to be a writer?

I’ve been writing since I was a small girl. Telling stories is just something I do and want to do and as a small child had to do. We didn’t have many books…we were poor (as many were way back then) so we wrote our own stories (and illustrated them!). We loved writing to the children’s page of the NZ Herald…and later as I grew I wrote stories for the local newspapers and various magazines.

  • What’s the best thing about being a writer?

I think the greatest fun is finding a way to tell a story in a new way or to find a new and different character. I still love the story I wrote where one of the characters in the story talks to me the writer! She gets mad because she doesn’t want to say what I want her to say! So I threaten to write her out of the story…sadly the story has never been published!

  • What’s your favourite New Zealand book?

I always dislike this sort of question. I love many many books for many many different reasons. And there are SO many marvellous books written by New Zealanders.

  • What do you love most about New Zealand?

Again I have many reasons for loving NZ. I particularly love the outdoors…our beautiful wild coastline, the lush and glorious bush, rugged mountains and hills country and the growing interest in our ‘wildlife’. I also love that we have so so many opportunities for education, sport, the arts etc. and rejoice that we can have very full and interesting lives as well as helping the less advantaged.

  • What do you love most about libraries?

When I was much much younger I used to find libraries a little daunting…no longer.  Libraries these days are so welcoming. The staff are wonderfully helpful and almost any book we would like to read a librarian can find it or order it for us. Libraries don’t just have books…there are CDs and now electronic readers. I have written a couple of historical fiction books and the archivists at the libraries I have visited have been wizards at finding me information. Libraries are busy friendly places. Make sure you get to know yours. The books are free as well!!

Kath Beattie is the author of two books in the My New Zealand Story series, Gumdigger and Cyclone Bola (released this month).  Kath has also had her stories published in anthologies, including Dare and Double Dare and Mischief and Mayhem.

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Guest Author: Barbara Else on The Queen and the Nobody Boy

We’re very lucky today to be joined by New Zealand author Barbara Else.  As well as writing novels for adults and editing several short story collections for children, Barbara is the author of the magical adventure stories set in the land of Fontania, The Traveling Restaurant and The Queen and the Nobody Boy.  Barbara has written a wonderful post all about The Queen and the Nobody Boy and her wonderful new character, Hodie.

When you start work on a new story, usually you decide on the main character at once. But sometimes you might find your first choice isn’t the right one. It’s perfectly ok to change your mind.

This happened to me with my latest novel the second tale of Fontania, The Queen and the Nobody Boy. The obvious choice for main character was the Queen.  In the first tale, her brother has a series of adventures when he turns twelve. I thought that when she turned twelve, little Sibilla would have adventures of her own.  Because I didn’t want to simply repeat the same sort of story, I came up with the ‘nobody boy’ Hodie, who is the odd-job boy at the Grand Palace. I thought that I would use him as the main character for some sections and Sibilla in others.  The technical way to put this is, I would use two point of view characters.

Being a queen, Sibilla has some big problems – people gossip about her and keep expecting her to do great things. That can be very hard for a person to cope with. But when I wrote about her in her point of view she sometimes sounded too sugary (argh!). Sometimes she sounded like a spoiled brat (double argh!). I also worried that because she’s already a queen, readers might have thought, What does she have to complain about? Did I think she was sugary or a spoiled brat? Definitely not. But writing from her point of view didn’t show her in the right way.

For me, the passion and grip of story come from the troubled heart of the character. In his sections of the story Hodie was working well as a character in this way. So I rewrote the whole story in his point of view, in his thoughts, in the way he sees everything (even though it is 3rd person). Through his eyes, Sibilla began to shine. She became more interesting and much braver.  She became more vulnerable and charming in her own often very funny way. The whole story raced on much more smoothly.  That’s part of the fun of writing – gradually figuring the best way to tell your stories.

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Fast Five with Lindy Fisher

  • Why did you want to be a writer?

I can’t seem to help making images. I’ve done it forever! I enjoy texture and colour and playing with it. Sometimes my images are used to illustrate children’s stories, sometimes to feature on NZ postage stamps and other times on peoples walls in their homes.

  • What’s the best thing about being a writer?

Being able to do what I love for my job and introducing other people to the fun I have so they can enjoy it too. Either using their imagination to interpret my pictures or using my techniques to make their own new ones.

  • What’s your favourite New Zealand book?

Always the one I am working on or have just had published. At the moment it is “Remember that November” by Jennifer Beck.

  • What do you love most about New Zealand?

Living by the sea on its gorgeous coast line under some pohutakawa trees.

  • What do you love most about libraries?

That books are free! BUT I never want to take them back!!

Lindy Fisher is an illustrator who has created the illustrations for stories by Jennifer Beck and Dot Meharry, including Nobody’s Dog, A Present from the Past, and Remember That November.

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Fast Five with Donovan Bixley

  • Why did you want to be a writer?

I wanted to illustrate things that I was really interested in, which doesn’t always happen when you illustrate other author’s stories. So I decided to write my own stories.

  • What’s the best thing about being a writer?

Coming up with ideas is very exciting. The hard part is the months and years it take to make those ideas good enough. Through a lot of hard work they get turned into a finished book.

  • What’s your favourite New Zealand book? 

“Sydney and the Sea Monster” by David Elliot. I also love “The Word Witch” by Margaret Mahy and David Elliot.

  • What do you love most about New Zealand?

I love that we’re a small country, with a population not much bigger than a city in most countries. New Zealanders are fairly humble and relaxed people on the whole, and not too stressed out. I love being able to enjoy our lakes and mountains and coasts with my family.

  • What do you love most about libraries?

I like browsing the shelves and finding books that I would not normally look at. I still like to get reference books from the library. The Internet is not quite the same.

Looky BookDonovan Bixley is an author and illustrator who has created the illustrations for his own books and for books by other authors.  He has created Kiwi versions of The Wheels on the Bus and Old MacDonald’s Farm, and his latest book is the wonderful Kiwi-themed puzzle book, The Looky Book.  Donovan has also illustrated Brian Falkner’s Northwood and Maddy West and the Tongue Taker, and created the Dinosaur Rescue series with Kyle Mewburn.

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